![]() ![]() I didn’t need to wait for anything to pick up. As much as I ended up liking Christian in DRAW THE DARK the relatability here was immediate. ![]() The voice was probably one of the best and most intricately crafted I’ve read of Ilsa’s yet. While it still took a little while for the plot to get moving (in proper Ilsa fashion) the voice had a fresh immediacy to it that made any non-action seem exciting because of the weight behind it. The voice in SIN-EATER’S was immediately engaging (although the military aspect ended up being rather irrelevant at the end of the day) and before I knew it fifty pages were in my dust. ![]() I’ve been reading Ilsa’s work since she published DRAW THE DARK and I’ve watched her craft develop over those years and I have to say she’s getting more and more succinct. Hey, you want some Carolrhoda Lab books one of which is written by Ilsa Bick? Hey, do my lungs want oxygen? ![]()
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